effects of interracial relationship on children Essay -- essays resear

Effect of Interracial relationships and the child   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Interracial marriages can include the union between Asians, Hispanics, Blacks, Whites, and any other groups. However, when people talk about race relations, the focus is on Blacks and Whites. No matter what type of ethnic groups are involved in these type of relationships, one important result of these marriages are children. After doing some research and looking over some materials, I now have a strong understanding of the issues surrounding children of interracial marriages, and the problems parents encounter with their mixed race children. Children from interracial marriages are no longer denied the same benefits and privileges as the children prior to Loving. Celebrities like Tiger Woods may have changed society's views on interracial children, but are there more serious effects on these children than what is shown by Tiger Woods? More than 1.5 million children lived with biracial parents in 1990.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Many books have been out about the effects of interracial marriages on children. One of the biggest problems facing interracial children is an identity crisis. However, Tiger Woods and other famous children of interracial marriages have helped to...

Development in Early Childhood

In chapter 8, the author highlights the development of a child’s body as he/she goes through different stages of development both physically (body growth and brain) and at the same time acquires different motor skills and begins to manifest different health conditions. In the chapter, focused on different important concepts that included the parts and functions of the body that is beneficial for a child’s growth and development. Due to their relative importance, the chapter also points out important steps that parents and early childhood educators can do to enhance a child’s capabilities.It included different approaches in improving a child’s (1) emotional wellbeing, (2) nutrition, and (3) prevention of different diseases children are prone to during such stage. In addition to that, the chapter also focused on the concept of heredity and how it influences the physical growth of a child. It also stimulates the creation of different bodily functions. Lastly, the chapter mentions the development of motor skills. It elaborated on different situations wherein such skill can be improved and enhanced. Looking at Chapter 9, it relatively focuses on the cognitive development during early childhood.It first elaborates on important theories surrounding the concept. It included (1) Piaget’s Preoperational Stage and (2) Vygotsky’s Sociocultural theory. These two theories explained the realm of cognitive development among children. Looking at Piagets theory, it explains the way children’s cognitive processes are developed and enhanced. In his theory, Piaget advocates that as children advance in age, they also increase their capabilities to decipher mental representations like language and the ‘make believe’ concept among children becomes complex in nature.As children progress in age, they begin to understand the reality in their individual ‘make believe’. This process is called dual representation. In addition to such, the preoperational stage can be characterized as egocentric in nature. sensitivity to children's readiness to learn, and acceptance of individual differences† Vygotsky’s theory on the other hand roots his analysis in the way society affects the development of children’s speech.It is through this that Vygotsky advocated the importance of language as the main contributor for the cognitive process. It emanates from the concept called ‘private speech’ that deals with inner, verbal thought. In addition, the theory points out the creation of intersubjectivity which is a neutral zone for communication and the element of scaffolding by parents as the main components of social interaction that is vital for cognitive development among children. Chapter 10 on the other hand focuses on the emotional and social development in early childhood.It looks at Erikson’s theory of initiative versus guilt and points out important concepts such as : (1) emotional development, (2) peer relations, (3) cultural influences, (4) morality, (5) gender typing and (6) child rearing. In the chapter, the author pointed out the importance of Erikson theory in the analysis of the diverse emotional and social changes during childhood. In addition, the factors mentioned above also have their own fair share of contributions to the development of a child. The chapter pointed out different factors that can affect the way children behave.Due to this, the responsibility is left to parents and educators to effectively enforce and promote the correct values among children since this is an important stage in their overall development as an adult. Another important factor pointed out by the chapter is the relative occurrence of violence and aggression among children. It pointed out the relative influence of media in the increased violent tendencies of children. The chapter points out that parents should create rearing mechanisms that will shield the ir children to such violent behavior at a young age. References (n.d.) Chapter 8:Physical Development in Early Childhood. Retrieved June 23, 2008. (n.d.) Chapter 9:Cognitive Development in Early Childhood. Retrieved June 23, 2008. (n.d.) Chapter 10: Emotional and Social Development in Early Childhood. Retrieved June 23,  2008.

Honesty in the Crucible Essay

The phrase â€Å"honesty is the best policy,† applies to Arthur Miller’s history-based drama, The Crucible, in a variety of ways. The accusations throughout the story build on lie after lie after lie from those trying to protect their own name, thus putting the whole town in a state of confusion and chaos. Nobody in the small town of Salem, Massachusetts knows whom to trust anymore, after all of the false allegations made. There are three characters in particular in the story that, if they had told the truth from the commencement, the town would have been in a state of peace rather than mayhem. If Abigail Williams, John Proctor, and Elizabeth Proctor had been honest, many innocent lives could have been spared and Salem would not be in such disarray. Abigail Williams lies many times throughout The Crucible. In Act I, Abigail deceives Reverend Parris by claiming that the reason she was dismissed from working for the Proctors was due to the fact that â€Å"She [Elizabeth Proctor] hates me, uncle, he must, for I would not be her slave† (Miller 12). The reality of this statement is that although Abigail claims, â€Å"there be no blush upon my name† (Miller 12), Abigail was discharged from her laboring duties because she had a love affair with John Proctor. Abigail continues with this deception throughout the entire story, which later leads to the downfall of many others. Another example of Abigail’s dishonesty is while dancing in the forest one night with other girls, Abigail tried to cast a charm to kill Elizabeth Proctor so she could have John all to herself. When the villagers of Salem received word of this, Abigail quickly denies the accusations of witchcraft by diverting the attention to others by lying and claiming to have seen many people with the devil while in the forest. Another lie Abigail concocts in The Crucible is that Elizabeth Proctor sent her spirit on Abigail and claims â€Å"a needle were found stuck into her belly† (Miller 76), when in fact, Abby stuck herself just to make it appear that Elizabeth committed the heinous act. If Abigail had not continuously lied to protect her reputation, none of the suspicion of witchcraft would have occurred and innocent people would not have had to go through the burden of trials, prison, and the fear of sure death. John Proctor also lies throughout The Crucible. Although he has come clean to his wife, Elizabeth, about his love affair with Abigail, it is still a secret to the rest of the citizens of Salem. John is severely ashamed of his act of adultery, and has trouble admitting it to himself. When Elizabeth suggests early on,†I think you must tell him[Hale], John† (Miller 67), Proctor evades admitting the truth to Reverend Hale of his affair even though it could have been a valid excuse for the Proctor family’s lack of attendance at church and John’s inability to say the commandment, â€Å"Thou shalt not commit adultery.† In Act III, when John finally is forced to admit his clandestine affair with Abigail to the court, nobody believes him. Because John has waited so long to confess his affair, it just looks like a poor attempt to save him and Elizabeth from the indictments. If John had divulged the secret of his affair earlier on, people might scorn him for his sin, but he would have evaded the allegations of witchcraft. Although John Proctor and Abigail Williams are dishonest throughout the majority of The Crucible, Elizabeth Proctor remains truthful for most of the story. She does make one very grave mistake that sets the precedent for her husband’s future. When asked, â€Å"To your own knowledge, has John Proctor ever committed the crime of lechery?† (Miller 113), Elizabeth lies to the court in agony answering, †No, sir.† (Miller 113). John, having already confessed the sin to the court, is believed a liar and sentenced to death by hanging. Although Elizabeth only lied to protect her husband’s good name, if she had been honest with the court, John’s life could have been spared. If Abigail Williams, John Proctor, and Elizabeth Proctor had been honest, many innocent lives could have been spared and Salem would not be in such disarray. They lied for different reasons (Abigail out of greed, and John and Elizabeth to spare John’s reputation), but nevertheless, the lying lead to bedlam throughout the city, distrust, confusion, and more lies. Arthur Miller’s idea of the theme of honesty in The Crucible is that the truth is always meant to always be told, and no matter how painful the consequences, the penalties for lying will always be heavier.

Ballet Don Quixote

Marius Petipa was born in Marseille, France in 1818 moved to St. Petersburg in 1847 from Italy and died in Gurzuf Ukraine in 1910. He worked for nearly 60 years at the Mariinsky Theatre in St. Petersburg and had a profound influence on modern classical Russian ballet. He directed many of the greatest artists in Russian ballet and developed ballets that retain an important position in Russian dance repertoire.After Marius Petipa's debut in Nantes, France, in 1838, he danced in Belgium, France, and the United States before accepting an engagement in Spain, where he gathered material for ballets later produced in Russia. He established a reputation as a talented pantomime artist and one of the outstanding dancers of his day. Petipa made his initial appearance at the St. Petersburg Mariinsky Theatre in 1847 in Paquita. For his wife, the ballerina Mariya Surovshchikova, he created Le Marche des Paris (1859; â€Å"Parisian Market†; staged as Le Marche des innocents, 1861).His first outstanding success was La fille du pharaon (1862; â€Å"The Pharaoh's Daughter†). Later, after becoming choreographer in 1862 and chief choreographer in 1869, Petipa produced more than 60 ballets, working from carefully detailed plans that became the basis of modern classical ballet in Russia. He collaborated with Tchaikovsky on The Nutcracker (Casse Noisette, choreographed by his assistant Lev Ivanov) and The Sleeping Beauty and presented versions of Swan Lake, Raymonda, and Giselle that have been revived frequently.Among other major ballets are his Don Quixote (1869), La Bayadere (1877), and Le Corsaire (1899). The composer who collaborated with Petipa in creating Don Quixote ballet was Aloisius Ludwig Minkus. His biographical information is very diverse but the most commonly data on his origin states that he was born in Vienna in 1826. There are opinions that he was of Polish or Czech origin. His first compositions were light music for dancing. His first public presentati on of ballet music was an en'tracte included into a Moscow performance of Adam's Orfa.In1861 Minkus worked in the Bolshoi Theater, first as violin soloist, later he became a composer of the theatre and in 1864 he was became a ballet composer at the Bolshoi. His career in Bolshoi was interrupted by the trip to France and on returning to Russia the composer started creating ballet music for Petipa’s works. In 1868 Petipa made Don Quixote ballet for the Bolshoi Theater, with music composed by Minkus in the same year. The ballet was a well-deserved success being first performed in 1869 in Bolshoi Theater in Moscow. It was fame for both Minkus and Petipa.This was beginning of fruitful activity by Minkus, and in 1877 appeared one of his most successful compositions La Bayadere, Roxana or The Beauty from Montenegro in 1878 and many others. Though the ballet by Petipa on music by Minkus was not the first attempt to put the well known novel into music and dances Petipa's version of Do n Quixote, is considered as the standard ballet version of Cervantes’ story with the popular virtuoso pas de deux. The great deal of ballet success depends on the style of this ballet which is mostly determined by Minkus’ music.Minkus ballet music is filled with rhythm, vigour and energetic melody. Don Quixote music is often regarded as ordinary music which does not exceed the bounds of traditional accompaniment to the dance. In fact, Don Quixote score is devoid of rich colors typical of later ballet music, it does not explore moving lyricism like Swan’s Lake by Tchaikovsky. We also cannot feel any symphonic depth or other features which are distinctive for the best ballet scores. However, this music is extraordinary dancing, with deep rich rhythm and thus it helps the dance to adopt the necessary emotionality and vividness.Don Quixote music is dynamic and it is very important for the comedy performance, it explores hot temper, melody and cheerful passion the fe atures so typical for Spanish melodies. Minkus’ music is both the accompaniment and impulse to dance. Don Quixote is described as a â€Å"bol’shoi balet† in the Soviet catalogue of Petipa’s works (Slonimsky 1971, 377-388). A translation of the French ballet a grand spectacle, the term is used to describe ballets that resemble nineteenth-century grand operas in their length, the complexity of their narratives, and tendency toward visual spectacle.(Scholl 1994, 4-5) Because these works dominated the Petersburg stage from the 1860s through the 1890s, and because Russian ballet had no serious competitors in Europe by the 1870s, the Petipa â€Å"grand ballet† has come to represent the ballet style of the late nineteenth century. Petipa, the founder of romantic dance in Russia, developed two versions of the ballet – one was created specially for Bolshoi Theater and the second one was created for Mariinsky Theater in St. Petersburg.This second vers ion contained such elements like â€Å"white act† with its strict symmetry and the famous final virtuoso pas de deux. As Scholl observes, before the work was staged in St Petersburg, Peterburgskaya gazeta, the newspaper best representing local balletomane opinion, reported on the Moscow production: Don Quixote was staged in Moscow in the decadent manner. As an example, several dances were staged so that on one side of the stage they danced one way, and on the other side, to the same music, other dances were performed. (1 September 1901), (57)Petipa’s main objections center around the primacy of dance in Don Quixote in which, scenery, and costumes were of secondary importance and respectively the music had to act only as accompaniment and incentive. Don Quixote is a successful combination of perfect and vivid dancing with emotional music. While being brisk and full of vigor the Minkus’ music in no way dominates the dance itself. The dancers appear before the spec tators in their full advantage. As it was already stated the music was best suited for the plot related to events with hot Spanish characters.This music is distinguished by its gift to set any listener to feel like dancing. And that was, probably, why exactly Muniks’ music was chosen for this ballet. Minkus adored waltz and his passion for that style determined the presence of gypsies, rajahs, Spanish bullfighters, Indian temple maidens dancing to a waltz rhythm in Don Quixote ballet. Though the ballet does not have clear development of the plot it attracts the spectators by its effervescent, masterly dances parade so prolific in the ballet.The dance here serves as the natural expression of the action taking place on the stage. Don Quixote heroes are not simple performers of numerous dance issues; they live in their dance and express through it their thoughts and feelings. The spectator gladly forgives the bit parts prepared for Don Quixote and his faithful Sancho Panza and r eadily accepts cheerful Kitri and her friend Basilio. These two young heroes are definitely more appropriate for such vivid and passionate music than old knight in heavy armour.Petipa displays a remarkable command of mass on the stage and the form taken by his dancing shows considerable imagination. The choreography and staging Petipa devised for the ballet were similarly ostentatious. The ballet’s ballabile featured 36 dancers with baskets of flowers on their heads containing children who suddenly appeared in the dance’s final pose. Scholl sums up Petipa’s choreography as â€Å"the culmination of the evolution of a particular type of theatrical dancing, designed to exploit the scenic potential of the proscenium stage.The ballet’s emphasis of the human body’s maximal legibility evolved as the Renaissance perspective stage was developed†. (8) As consequence, the perfect combination of Petipa’s choreographic approach and Minkus’ music developed into a sunny comedy with farcical elements. Petipa-Minkus ballet Don Quixote convinces the spectator that ballet is great art. Ballet can express thoughts, create harmony and an integral map of the world as any other artistic form of expression. Reference list: Koegler, Horst. The Concise Oxford Dictionary of Ballet, 2nd ed.Oxford, 1982. Noble, Jeremy. â€Å"Legends of the Maryinsky. † Dance Magazine. Vol. 73. Issue: 6. June 1999, p. 57. Scholl, Tim From Petipa to Balanchine: Classical Revival and the Modernization of Ballet. New York: Routledge, 1994 Sedov, Yaroslav. â€Å"Inside the Bolshoi†. Russian Life. Vol. 47. Issue: 6. November-December 2004, p. 22 –, â€Å"The Museum of Ballet†. Russian Life. Vol. 48. Issue: 1. January-February 2005, p. 38 Slonimsky, Yuri. Marius Petipa: materialy, vospominaniya, stat’i. [Marius Petipa: Materials, Reminiscences, Articles], Leningrad, 1971

Fourth Party System (1896-1928) Essay Example | Topics and Well Written Essays - 1000 words

Fourth Party System (1896-1928) - Essay Example There were key changes in the Republican and Democratic parties amid 1896 and 1928. Further revolution was experienced due to the changing roles of the national government on farmers, business and minorities. The story of continuity and the key changes experienced in the fields are discussed aptly in the essay. Changes Republican and Democratic Parties between 1896-1928 There were major changes observed in the Republican and Democratic Parties. The changes concentrated in the number of times each party formed the authorized government (Wayne et al, 249). In my viewpoint, the fourth party system can be perceived as an era of inter party competition. Averagely, the 7 national elections held after 1896, the ratio of the party vote between the republicans and the democrats was 57.7% to 42.3% respectively (Wayne et al, 249). Moreover, the republicans got 60% of votes in the 22 states of North and West of the presidential election. Earlier, Democratic and Republican party dominance was equ al in between 1874 and1896. The base of electoral support was initiated when the electorate was modified and realigned by the 1896 election of 1896, which changed the political landscape (Wayne et al, 249). ... odrow Wilson’s 1912 election as the president representing the Democratic Party was only achieved because of the core division within the prevailing Republican coalition (Wayne et al, 249). Republican Party The issue that preoccupied the Republican Party leadership was the splitting up of the party’s members because of internal conflict amid the traditional conformist of the industrial-financial centers of the Northeast. A further cause of the schisms was the traditions of the Progressive reformer of the Middle West that caused disarray amid the Republicans. In my opinion, the issue that preoccupied the Republican Party leadership was Theodore Roosevelt role in splitting the republicans when he failed to capture the GOP nomination from President William Howard Taft (Wayne et al, 248). For this reason, he split the electoral votes in the range of 27.4% to 23.2%. The change observed in Republican Party was its renewal of dominance in producing potential candidates for the presidency. Changes in the Role of National Government between 1896-1928 The American national government had roles during the progressive era at the time the country was evolving from the agricultural epoch to industrial period, for transformation in economic augmentation. It is realistic that the national government experienced major changes in its role of governing the American groups such as farmers, workers, business, minorities and dissidents. The government had to come up with policies to guide large populace being employed in the manufacturing industries. I was especially moved by a research conducted that found out that 1 in 4 families practiced farming because of the industrialization era. The national government role was concentrated in the interest of maintaining and improving the

Epic theater, a comaritive analysis Essay Example | Topics and Well Written Essays - 1500 words

Epic theater, a comaritive analysis - Essay Example As he is introduced, his presence evokes an image of the fallen, a prevalent theme throughout the French Revolution. As the story of the French Revolution is told by historians and enhanced by paintings, illustrations, and live action recreations of the events, The French Revolution: Liberte, Egalite, Fraternite -A New Republic is Born in Blood, creates a film experience that breaths life into the historical figures of the French Revolution. While the causes of the French Revolution can be linked across many theoretical and philosophical constructs, the main cause was created from an economic crisis. As in most cases, the people were motivated to act because of a lack of stability which caused a lack of food. Of the many reasons that can motivate people into action, the one that denies them the basic needs of survival will most often inspire the quickest movement toward a radicalization. The film describes the events that surround the impending crisis that is setting up France for a time when flour, a staple of bread making which is a food staple for the French, prices would skyrocket, creating a circumstance where a loaf of bread becomes worth a month’s salary [1]. By using live action recreations and illustrations from the time period, a connection can be made by the audience to the impact of starvation on a people who is not properly represented or supported. Mention is made of Marie Antoinette’s â€Å"most famous line she never said . . . Let them eat cake† [2]. The line was a commentary on the feelings of the French people to their queen, and while the film mentions that she never said such a thing, it is made clear that her excesses are what led this line to be associated with her. The film displays a series of examples of the excesses in which she indulged, including illustrations of overly exaggerated hairstyles that could stand several feet tall. In the midst of a country that was

Dubai International airport Essay Example | Topics and Well Written Essays - 1000 words

Dubai International airport - Essay Example The main research questions that shall be answered during the investigation are: †¢Does the service offered by emirates airline organization meet the standard and expectations of its customers? †¢Does the organization have excellent facilities that ensure their airplanes are always in good shape to ensure the safety of their customers? †¢What are the measures that the organization has put in place to ensure customer satisfaction? The objectives of the research will be: 1)To determine the services offered by the organization and whether they meet the standards and expectation of their customers. 2)To evaluate the available facilities in the organization for servicing and repairing airplanes to ensure safety of their customers. 3)To determine the measures put in place by the organization to ensure customer satisfaction. The intended research on the operations of the Emirates airline is important in determining the experience of the customers. While utilizing their services and the role the airline organization play in ensuring that the customers’ satisfaction is achieved in carrying out this research, I as a student of business studies will also gain a lot of important knowledge on what it takes to run such a big organization that serves many people daily and the various measures that can be utilized in successfully satisfying customers derived from different backgrounds and cultures. The emirates airline is an organization in the airline industry that has its headquarters based in Dubai in the United Arab Emirates. In the Middle East, this is the major airline company with over 2500 flights weekly to over 100 destinations in six continents in 74 countries (Emirate airline, 2005).